Mangione: The Story Behind the Story by John H Richardson – Understanding a Criminal?
On December 5, 2024, a major newspaper ran the headline “Insurance CEO Gunned Down In Manhattan”. The report then noted that Brian Thompson was “shot in the back in Midtown Manhattan by a killer who then walked coolly away”. The murder in broad daylight was indeed both chilling and disturbing. But many Americans reacted differently: for those who had been denied health insurance or struggled with medical bills, the news felt like a release. Online platforms erupted. One post stated: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the AI algorithm the insurance company created to maximize profits on your health.”
Five days later, Luigi Mangione, a handsome, twenty-six-year-old University of Pennsylvania alumnus with a master’s in computer science, was arrested at a fast-food restaurant in Altoona, Pennsylvania. He awaits trial on criminal counts of murder, with the district attorney seeking the capital punishment. So what is his background? And what might have motivated the accused offense? These are the questions John H Richardson seeks to resolve in an inquiry that explores broader themes, too.
The Making of a Subject
A writer for a major publication, Richardson spent years researching the groups that lurk in the dark corners of the internet, writing stories about people “plagued by genuine concerns about an apocalyptic future”. To reveal “the making” of his subject, Richardson first examines Mangione’s wide-ranging book list. We learn that “[when] he was arrested, Luigi had a list of 295 books on Goodreads”. Their subject matter ranged from climate change to masculinity, along with a “emphasis on his own personal growth, both body and mind”. Additionally, Richardson sifts through his correspondence with influencers and authors as well as his many updates on digital networks. These primary sources, intended to depict a picture of Mangione, instead present him as an unclear character. Richardson tries to justify this by proposing that “Luigi’s mystery, in fact, is what gives him a little of that old trickster magic”. Here, as elsewhere, Richardson tries to frame his subject in archetypal terms.
Mangione is profoundly worried about the world around him, one where ‘change is rapid whether we like it or not’
Interpreting the Incident
As for “the meaning” of the title, Richardson uses as a clue three words – “postpone”, “deny” and “remove”, etched on the bullets left behind at the crime scene. These are the terms sometimes used by medical insurers to deny coverage. He looks at the evidence Mangione had a chronic back condition, which might have provided motive for an attack, but discovers no confirmation; instead, what meaning there is seems to rest in Mangione’s philosophical dread about the world around him, one where “the pace is quickening whether we like it or not, sliding faster and faster to the edge”; a world where the consensus seems to be that AI is going to eventually either take control, or destroy us, or both.
Missing Pieces
Notably missing from the book are conversations with the principal actors. Richardson made requests, but did not anticipate time with Mangione himself. And his family stated explicitly that they had chosen not to talk to the media in prior to the trial. Another glaring gap is any significant information about the victim, Thompson, though we learn that under his leadership, from 2021 to 2023, company earnings increased by 33%.
Ambiguous Findings
By book’s end, the audience has no clear understanding of Mangione’s personality or what might have motivated his accused actions. Worse still, Richardson’s obvious sympathy for him gives the reader the disturbing feeling of having been exposed to a veiled endorsement of an targeted killing. In the book’s final lines, Richardson presents his fairytale assessment: “We’ve entered a time of fables, the insane ruler, the beast in the labyrinth and the naked leader.” In that tale “Robin Hoods come with a beautiful promise … They arrive in periods of unrest, when the people are suffering and everything is confusing anymore.”
One thing is clear: as Mangione’s legal representatives works to have accusations that could lead to the death penalty dismissed, any mention of fables, Robin Hoods, champions or villains will not be admissible as evidence in support for this handsome young man with a “jawline … and lips … out of a Caravaggio painting” facing judgment for murder.